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A first glimpse into the latest film by Michael Papas, provisionally entitled GLASS ID, a work in progress, shaping extraordinary images - shot over time in different locations, gliding through the seasons, descending on a burnt-out, futuristic landscape - the imagination let loose in highly-charged cinematic visualisations, where past, present and future cohabit, or so it seems.  The film-maker “writes” directly with the camera, no holds barred, no script development, no executives, no green light, just making cinema in absolute freedom.